Saturday, January 29, 2011
The King's Speech - the power of friends
Black Swan - Giving your life for what you love
This afternoon, I went to see Black Swan as part of the 34th Gothenburg International Film Festival. They call it GIFF (like TIFF in T.O.). This film was at a theatre called Draken which is right beside the place where Elizabeth dances. We thought it was an old abandoned space because we've never seen it with the interior lights on. Not so! The theatre itself is a magnificent example of minimalist Scandanavian design with wood panelling that curves at the ceiling to mimic the hull of a ship. Draken's motif is a ship, so I guess that's why. In Sweden, when you go to the movies, the seats are pre-selected like at a hockey game. For the film festival, they aren't - you sit where you like. For the latecomers, it's a bit of a teamsport, finding them an empty seat. A woman with a microphone asks the seated audience to point out empty seats for those without, who then dutifully amble over to fill them. One is supposed to say "Ursekta, men kan jag kommer förbi?" which means 'excuse me can I walk across in front of you', but in what I have come to expect as standard Swedish style, no one says anything - they just go.
I chose to go to this movie because of the hype. I knew it was about ballet and that Natalie Portman was in it and that it was a psychological thriller, but that was about it. I had never seen the Swan Lake ballet. Early on, it is explained that the role of the Swan Queen in Swan Lake requires the ballerina to dance 2 separate characters - the pure or white swan, and the black swan. The ballet itself is about a girl who turns into a swan (nice little metaphor there), falls in love, has her love stolen by the black swan, then ends her own life when she can't have the one she loves.
Initially, I didn't like the camera work because it was very bouncy like Blair Witch. When the camera was following behind the Nina character as she walked, the camera bounced like it was walking too and that made me dizzy. Effective camera work I guess because the entire film is about being off balance. Lots of interplay between black and white, good and evil, effectively echoed in Nina's clothing. At one point in her decent, she puts a black shirt over her white one, then covers it with a white sweater. Barbara Hershey is very effective as Nina's overly protective / possessive / controlling mother, a former dancer herself. I wondered if the dancer from San Francisco was brought in by Thomas the artistic director for the sole purpose of "helping" Nina let go of her control. I still haven't figured out how much of the film was real as in really happened to Nina, and how much she imagined.
Decent into madness? She gave her life for what she loved. Not a man, but the dance. Aren't we all like that to varying degrees, willing to give our all to something that makes us feel special, empowered, willing to live with the consequences no matter what they are?
Now how mad is that?
Saturday, January 22, 2011
Tjolöholms slott
... or "a day in the country".
Sunday, January 16, 2011
The Other Hand - Part 2
The Other Hand - Part 1
Friday, January 14, 2011
Reckoning
Sunday, January 9, 2011
Paris day 5
Thursday, January 6, 2011
Paris day 4
Wednesday, January 5, 2011
Paris day 3
Tuesday, January 4, 2011
Paris day 2
Monday, January 3, 2011
Paris day 1
* This is Elizabeth's 16th birthday trip.
* My parents surprised the kids by appearing at the hotel when we arrived. Andrew, the king of understatement, looks right at my mom, says "oh, hi Gran" completely deadpan like of course she'd be here. Looz was more surprised.
* First stop - lunch because we'd been up before 4am. Peter picked a charming place just across the river from Notre Dame. Quiche, salad, croque monsieur, omelette - something for everyone.
* Next stop - Notre Dame herself. We wandered about in awe of the height of her ceiling and of the recruiting posters (join the priesthood? why not!)(I kid you not), but chose not to line up to go up the bell tower. We're going to do that first thing tomorrow morning, hoping to beat the line
* Next - Arc de Triomphe and the metro. My mother is an experienced Metro strategizer, so she got us from A to B. We walked up to the Hotel de Ville, past the skating rink in its forecourt and the double decker (!) carousel. Peter had a short list of what he wanted to see in Paris. About the only thing was Arc de Triomphe. He was very impressed by it. I've been to Paris a few times, but I don't remember crossing under the street to actually stand under it before. Neat.
* Fika (afternoon snack) on the Champs Elysees
* walk down the Champs Elysees, past the Christmas stands, the petit et grand palais, ending up at Place de la Concorde just as the lights turned on - pure magic!
* dinner, a nice prix fixe for 18 euros, across from Notre Dame herself
Bon et heureux debut de notre sejour a Paris.